Key Takeaways
- Discover the intricate process of creating visually stunning effects shots that seamlessly integrate into the storytelling, as demonstrated in the film KING OF DEVIL’S ISLAND.
- Learn how collaboration, resourcefulness, and meticulous attention to detail are essential ingredients for crafting realistic and immersive visual effects that enhance the audience’s experience.
- Gain insights into the challenges and techniques involved in blending footage shot in different locations and under varying conditions, as well as the use of digital assets and matte paintings to create compelling visuals.
In the realm of filmmaking, visual effects (VFX) are the unsung heroes, silently weaving their magic to transport audiences to extraordinary worlds and heighten the emotional impact of stories. Behind every awe-inspiring scene lies a team of dedicated artists, and in the case of the Norwegian film KING OF DEVIL’S ISLAND (KODI), Otto Thorbjørnsen, VFX Supervisor at Storm Studios, led the charge.
Forging a Path in the Realm of Visual Effects
Thorbjørnsen’s journey into the world of VFX began with a passion for filmmaking. Initially delving into web, motion graphics, and photo retouching, he eventually found his calling in compositing and Nuke, the industry-standard software for visual effects.
Storming the Island: A Collaboration Born of Trust
Storm Studios’ involvement in KODI stemmed from a fruitful collaboration with the production company 4 1/2 on previous projects. The rapport between the two entities paved the way for a harmonious working relationship with director Marius Holst, who embraced VFX as a storytelling tool.
Reshaping Reality: Crafting the Island’s Wide Shots
To create the expansive shots of the titular island, the team meticulously modified the existing plate to mirror the actual shape of Bastøy, the island that serves as the film’s backdrop. This meticulous attention to detail laid the foundation for a visually immersive experience.
A Stunt with a Twist: Capturing the Impact
In a pivotal scene where the character Braathen is struck in the face, the production team devised an ingenious method. A stunt coordinator ingeniously employed a 2×4 painted blue, which was later erased in post-production. This clever approach allowed for a realistic and impactful scene without compromising safety.
Building on Imagination: Creating the Barn
To optimize resources, only a third of the barn was physically constructed, with the remaining portion meticulously extended in post-production. Flame bars illuminated the interiors, while digitally rendered burning debris added a touch of realism and intensity to the scene.
From Model to Masterpiece: The Warship Scene
The warship scene is a testament to the power of collaboration and resourcefulness. A low-detail model served as the foundation, with intricate details added only where necessary. The matte-painting backdrop, a blend of stills from Estonia and Norway, was further enhanced with atmospheric fog and water elements.
Digital Soldiers: Populating the Warship
To bring the warship to life, digi-doubles of soldiers were meticulously crafted using footage captured on a green screen. These digital counterparts were seamlessly integrated into the scene, adding depth and realism to the battle sequences.
Conquering the Elements: The Escape on Ice
The escape sequence on the ice presented a unique set of challenges. Filmed over an extended period due to unpredictable weather conditions, the team faced the daunting task of seamlessly blending footage shot in different locations and under varying conditions. Matte-painted ice and cracks were employed to create the illusion of ice breaks, further enhanced by animated reveals in compositing.
From Water to Ice: Crafting the Rescue Scene
The scene depicting Olav rescuing Erling from the icy waters was captured in a container filled with water. However, the paraffin wax used to simulate ice proved challenging to work with. To achieve the desired effect, most of the wax was replaced in post-production, resulting in a visually stunning and realistic rescue sequence.
The Race Against Time: Completing the Project
Thorbjørnsen and his team faced the daunting task of completing the project on time, within budget, and to the highest standards of quality. Collaboration between various departments and resourcefulness were the driving forces behind their success. Thorbjørnsen dedicated six months to the project, while director Marius Holst had been involved for an impressive ten years.
The Final Cut: A Symphony of Visual Effects
The final product boasts approximately 70-80 meticulously crafted effects shots, with a total of 180 shots including online tweaks and fixes. A team of ten talented individuals worked tirelessly throughout the project, pouring their creativity and expertise into every frame.
Venturing into New Horizons: Thorbjørnsen’s Next Project
Thorbjørnsen’s passion for storytelling continues to drive him forward. His next project, KONTIKI, delves into the captivating expedition of Thor Heyerdahl, who set out to prove theories of migration. This project promises to showcase Thorbjørnsen’s exceptional skills and unwavering dedication to the art of visual storytelling.
Bonus: Thorbjørnsen’s passion for cinema was ignited by four cinematic masterpieces: RETURN OF THE JEDI, E.T., BLADE RUNNER, and AMADEUS. These films continue to inspire him in his creative endeavors, reminding him of the transformative power of storytelling.
Thorbjørnsen’s journey in the realm of visual effects is a testament to the transformative power of collaboration, resourcefulness, and unwavering dedication. His work on KING OF DEVIL’S ISLAND stands as a shining example of how visual effects can elevate storytelling and transport audiences to extraordinary worlds.
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